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Carnal Flower

by Dominique Ropion

A raw, sensual tuberose, somewhere between green freshness and warm skin. Carnal Flower showcases a strikingly realistic tuberose, almost alive, in all its facets.

Who it's for, when to wear it

A unisex fragrance, floral and woody. Wear it in the evening, on a date and for special occasions. Powerful sillage: people will notice it several metres away. Top Notes: eucalyptus, melon, bergamot, galbanum. Heart: coconut, tuberose, jasmine, ylang-ylang. Base: white musk, animalic notes, amber. Composed by Dominique Ropion.

How to wear it

Two sprays on the neck and wrists are enough; on a scarf or collar, the flower stays clearer for longer. Avoid rubbing your wrists after applying, as it crushes the opening.

What you're buying

Carnal Flower by Frédéric Malle, 100 ml bottle (also available in 50 ml).
Express delivery in France and worldwide, returns accepted within 14 days. Come and smell it at Sayhar, 27 rue de Marignan, Paris 8th, close to the Champs-Élysées. Explore all Frédéric Malle perfumes and our selection of woody perfumes.

Size 50 ml
250,00€
Regular price 250,00€
Olfactory families
Floral
Floral
Woody
Woody
Top notes
  • Eucalyptus
  • Melon
  • Bergamot
  • Ferula gummosa
Heart notes
  • Coconut
  • Tuberose
  • Jasmine
  • Ylang-ylang
  • Orange blossom
Base notes
  • White musk
  • Animalic notes
  • Amber

Occasions
  • Romantic
  • Evening
  • Special occasion
Sillage
Powerful
The fragrance

Carnal Flower opens on a green, almost damp freshness, like a freshly cut stem. Then tuberose takes over, with a facet that is at once milky, sunny and slightly camphorous, very natural, almost disconcerting at first.

Over time, the fragrance becomes warmer and cosier: the flower softens and turns more sensual, with a creamy texture that stays on the skin.
This is an intense, carnal floral that plays on the contrast between green freshness and almost animalic sensuality, with real presence.

The brand

Les Éditions de Parfums Frédéric Malle was born in 2000 from a simple, radical conviction. Frédéric Malle, grandson of the founder of Parfums Christian Dior, a former evaluator at Givaudan, trained in art history and photography, started from an observation: the world's greatest perfumers work in the shadows, constrained by marketing briefs, limited budgets and imposed deadlines. Nobody knows their names. He decided to turn that logic on its head. His model is not a perfume house. It is a publishing house, modelled on the literary world. Frédéric Malle chooses his authors, gives them complete carte blanche, no brief, no time constraints, and signs each bottle with the name of its creator. Dominique Ropion, Jean-Claude Ellena, Maurice Roucel, Olivia Giacobetti, Pierre Bourdon: some of the most respected noses in the industry, who for the first time could compose without compromise and publicly own their work. Portrait of a Lady, Carnal Flower and Musc Ravageur have become absolute benchmarks of contemporary perfumery. The bottle follows the same philosophy: neutral, pared back, minimalist, designed so that nothing distracts from the fragrance and its author. No muse, no advertising campaign. The house's reputation was built by word of mouth and by the strength of the juices themselves. A house that changed how an entire industry sees its own craft.

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