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In Passing

by Olivia Giacobetti
A lilac after the rain, captured live. En Passant highlights a very particular sensation: that of a simple, almost mundane, but profoundly beautiful moment. The fragrance evokes the scent of a lilac carried by the air after the rain, as if one were passing by a garden in spring without stopping.
Capacity 100ml
258,33€
Regular price 258,33€
Familles olfactives
Florale
Frais
Aquatique
Notes de tête
  • Aquatic Notes
  • Cucumber
  • Galbanum
  • Basil
  • Calamus
  • Orange
  • Banana
Notes de cœur
  • Lilac, Lily of the Valley, Jasmine, Petitgrain, Honey, Rose, Carnation, Broom
Notes de fond
  • Musk
  • Wheat
  • Cedar
  • Amber
  • Sandalwood
  • Vanilla

Occasions
  • Daily
  • Professional
Sillage
Powerful
The Fragrance

En passant opens with a fresh, light, humid quality, with a sensation of water and greenery that immediately evokes a breath of fresh air. Then lilac appears, soft, slightly powdery, with an aquatic touch that makes it very realistic, like a still-damp flower. Over time, the fragrance becomes softer and more blended, with musks and vegetal nuances that prolong this impression of nature. The perfume remains discreet, like a fleeting memory that doesn't impose itself.

The brand

Frédéric Malle Editions de Parfums was born in 2000 from a simple and radical conviction. Frédéric Malle, grandson of the founder of Parfums Christian Dior, former evaluator at Givaudan, trained in art history and photography, started with a simple observation: the world's greatest perfumers work in the shadows, constrained by marketing briefs, limited budgets, and imposed deadlines. No one knows their names. He decided to reverse this logic. His model is not a perfume house. It is a publishing house, modeled on the literary world. Frédéric Malle chooses his authors, gives them total carte blanche, no brief, no time constraints, and signs each bottle with the name of its creator. Dominique Ropion, Jean-Claude Ellena, Maurice Roucel, Olivia Giacobetti, Pierre Bourdon: some of the most respected noses in the industry, who for the first time could compose without compromise and publicly claim their work. Portrait of a Lady, Carnal Flower, Musc Ravageur have become absolute references in contemporary perfumery. The bottle follows the same philosophy: neutral, refined, minimalist, designed so that nothing distracts from the perfume and its author. No muse, no advertising campaign. The house's reputation was built by word-of-mouth and the power of the fragrances themselves. A house that changed an entire industry's perception of its own craft.

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